1. Copyright, 2012 Colette Griffin.

  2. Copyright, 2012 Colette Griffin.

  3. Copyright, 2012 Colette Griffin.

  4. Copyright, 2012 Colette Griffin.

  5. Copyright, 2012 Colette Griffin.

  6. Water Jet Cutting

    All twelve slabs have now been cut using the water jet and collected from the Design School. I will be taking some photographs today in the photography studio, to ideally get a professional image of each shape along with a metallic latex component which I can use on my business cards.

  7. By Alex Pain.

  8. Concerned with bringing about a dramatic dialogue between shape and material I have been working further with latex and using paints and processes to dye the material. Applying this metallic finish to the soft, handcrafted material opposes the matte grey of the rigid concrete sculptural component.

    Concerned with bringing about a dramatic dialogue between shape and material I have been working further with latex and using paints and processes to dye the material. Applying this metallic finish to the soft, handcrafted material opposes the matte grey of the rigid concrete sculptural component.

  9. by Martin Westwood.

  10. Richard Serra, Untitiles, 1967. Richard Serra, Tearing Lead, 1968.

    Richard Serra, Untitiles, 1967.

    Richard Serra, Tearing Lead, 1968.

  11. by Eva Hesse.

    by Eva Hesse.

  12. Copyright, 2012 Colette Griffin.

    Some photographs which I took today of the water jet cut concrete slab. I have balanced the positive shape on its negative self and added a small latex component, connecting the structures, and contacting with the rigid concrete.

  13. by Ronald Bladen.

    by Ronald Bladen.

  14. by Tom Burr.

    by Tom Burr.

  15. Finalised shapes drawn using illustrator. These will be used to program the Water Jet Cutter to cut the desired shape from the square 600mm x 600mm concrete slabs.